![]() ![]() It’s perfectly fine to go for a solo interface if you are on a budgetsince higher quality and more channels will cost you some money. Even if you don’t think you need it right now, you will want it as you grow your studio setup. However, anyone that takes production beyond just a hobby is going to want something with at least 2 channels or more. If you are just recording vocals or one instrument at a time, then a solo interface will do just fine. The input / output configuration on audio interfaces is one of the most important things to consider. You can also go for Blue Yeti or even the Razer Standalone mics. Of course you’ll need a mic, a condenser such as an AT-2020 or a Shure SM7Bwill get the job done. When choosing the best audio interface for vocals, as long as the interface supports recording at 24 bit / 48 kHz, has Phantom power (which most interfaces do) and an XLR combo jack, you are good to go! These are the basic requirements for recording vocals. While they all have the same core function, your specific use case (vocals) can help narrow down a few choices. There many different kinds of interfaces available in the market. After all, an interface plays an important role in terms of both audio quality and workflow. “We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles.Should I use a USB or an XLR mic for Recording Vocals?Ĭhoosing an audio interface is not an easy job, especially if you’re not familiar with them. He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. The first of the Special Merit Awards to be presented went to the Munich software house Celemony. And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker. I believe our company is the smallest ever to have received a Technical Grammy. ![]() “This is an honor none of us ever expected. The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy. ![]()
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